Reels
About The Final Draft
The Final Draft is a psychological drama that explores the fragile nature of love, regret, and the words we leave unsaid. Set over the course of a single night, the film follows a struggling screenwriter whose relationship reaches a breaking point, forcing him to confront the consequences of his choices and the painful realization that some moments cannot be rewritten.
At its core, The Final Draft is not simply about filmmaking or romance. It is about the illusion that there will always be another chance to apologize, to forgive, to say “I love you,” or to make things right. The film asks a simple but unsettling question: What if your final conversation with someone wasn’t the one you thought it would be?
Inspired by the emotional weight of classic character-driven cinema, The Final Draft embraces intimate performances, restrained storytelling, and an atmosphere where silence often speaks louder than dialogue. Rather than relying on spectacle, the film focuses on the emotional aftermath of conflict and the universal experience of wishing we could go back and rewrite our own lives.
For writer and director Ryan Leach, this project marks a significant milestone. As the first narrative short released under Leach Pictures, it represents years of learning, experimenting, and growing as a filmmaker. Every frame reflects a commitment to telling honest stories that linger long after the credits roll.
While The Final Draft follows one couple’s journey, its message extends far beyond them. It serves as a reminder to cherish the people we love, to speak with kindness, and to recognize that life can change in an instant. Sometimes, the most important things we need to say are the ones we should never leave for another draft.
Phoenix – Leach Pictures (Official Concept Art)
This visual exploration was born from five years of story development. Phoenix is a deeply personal tale about identity, transformation, and control. I created these frames to reflect a world that’s both haunting and tender, drawing from my love of theatrical imagery, classic cinema, and modern surrealism. Each shot was designed to evoke both beauty and dread.
Sean Leach – OutWithOut (Official Video)
A raw and surreal music video exploring the chaos of mental unraveling and personal reinvention. Through stylized lighting, bold color shifts, and handheld tension, I shaped a visual narrative that mirrors the track’s emotional volatility. I directed, shot, and edited the piece to evoke an intimate and uneasy atmosphere, like a dream teetering on the edge of a breakdown.
A French noir short with a bite of absurdity. Set entirely in a kitchen, this piece is a love letter to shadowplay and dramatic tension. I directed and edited the film with a focus on silence, sound design, and expressive visuals. It’s dark, strange, and just a little bit hungry, serving style and suspense in equal parts.
Rehab- Amy Winehouse (Remade by Ryan Leach and Joseph Reed)
A reinterpretation of Rehab was made for a school project, but approached with full creative intent. I collaborated with Joseph Reed to bring a modern visual take to Amy Winehouse’s iconic track. We drew inspiration from vintage aesthetics, utilizing warm tones and carefully choreographed movement to convey the spiral of denial and the allure of escape.
Dream A Little Nightmare
A twisted lullaby that blurs the line between dream and delusion. This short opens with a surreal, almost theatrical tone that gradually unravels into something darker and more psychologically complex. I crafted the visual language to evoke a sense of disconnection and beauty, utilizing soft focus, layered sound, and eerie stillness to hint at a mind on the brink.
Dream A Little Nightmare Pt. 2
The nightmare deepens as reality slips further away. In this continuation, I pushed the surreal elements harder, shifting the tone from mysterious to unhinged. Every frame was designed to evoke a sense of symbolism, with deliberate pacing and dreamlike compositions that reflect themes of obsession, identity, and repression. It’s unsettling in all the ways I love.